A fun news story is that Matt Reeves, who will be directing The Batman, might be eyeballing Jake Gyllenhaal to replace Ben Affleck for a trilogy of upcoming Batman movies. It’s a fun news story (even if it ends up being a toothless one) because it’s generally enjoyable to speculate about what someone who’s not currently in a role might bring to it if given the chance. So let’s extend that conversation to include more possibilities for New Batman, and same as when we tried to figure out which NBA player could beat Wilt Chamberlain’s 100-point game, let’s walk backward through a list of prerequisites and then eliminate people at each stop until we end up with just one person left. Because that’s a fun thing to do too.
First, a list of 20 potential New Batmans:
Tom Hardy
Jude Law
Idris Elba
Jon Hamm
Armie Hammer
Edgar Ramírez
Luke Evans (He’s maybe best known as the bad guy in Fast & Furious 6.) (The fact that I have to explain who he is would appear to be a bad sign with regard to whether or not he would/could be chosen as New Batman.)
Michael Fassbender
Colin Farrell
Keanu Reeves
Hiroyuki Sanada (You maybe don’t know him by name, but you definitely knowhim.)
Jason Clarke (He’s maybe best known as the likable guy from Dawn of the Planet of the Apes.) (This isn’t a bad sign for him like it was for Luke because Matt Reeves also directed that movie, and so there’s at least a relationship there for Clarke to lean on.)
Channing Tatum
Gal Gadot (She was just so good as Wonder Woman that it felt like she had to be added into contention here.)
Michael B. Jordan
Jason Bateman (This is ridiculous, yes, but his name is so close to literally being Jason Batman that I had to include him.)
Chadwick Boseman
Oscar Isaac
Ryan Gosling
Alexander Skarsgard
Prerequisite 1: New Batman has to be someone who was never defeated in a previous movie by the current Batman.
This one, really, is less a matter of ability and more a matter of respect to Ben Affleck because, like it or not, he’s secretly been a very good Batman, and we should honor that. I don’t want to lose Affleck and then replace him with someone that Affleck’s already beaten in a movie, so that means we have to cut off anyone that Affleck has defeated in any movie at any point. That means we’re losing Colin Farrell (he played a villain named Bullseye that Affleck defeated in Daredevil), Jon Hamm (he was an FBI agent that Affleck defeated/outsmarted in The Town), and Jason Bateman (he played a tertiary character in State of Play, a political thriller starring Affleck; in it, Bateman was part of a scheme to hustle Affleck’s character, Congressman Stephen Collins, but Collins sniffed out the scam).
Of these three losses, the Colin Farrell one is the most upsetting. He seems like he would’ve been a kind of good Batman, if only because it’d have been great to see him turn on the juice whenever they do the Bruce Wayne Is a Very Eligible Bachelor scene that they do in those movies.
Remaining options: Tom Hardy, Jude Law, Idris Elba, Armie Hammer, Edgar Ramírez, Luke Evans, Michael Fassbender, Keanu Reeves, Hiroyuki Sanada, Jason Clarke, Channing Tatum, Gal Gadot, Michael B. Jordan, Chadwick Boseman, Oscar Isaac, Ryan Gosling, Alexander Skarsgard
Prerequisite 2: New Batman cannot ever have grinded on a construction table while listening to Ginuwine.
It’s just not a very Batman-like thing to do, is all. (Although, I will admit, it would definitely make for an interesting change of pace. Like, remember that scene in The Dark Knight when Christian Bale’s Batman was trying to get the Joker to tell him where Harvey and Rachel were? The Joker was refusing to talk and Batman was just getting madder and madder, slamming the Joker around and beating him up and whatnot. How about if instead of pulverizing the Joker’s body after he jammed the chair into the door of the interrogation room so nobody could get in, Batman put the chair there, then took out a small bluetooth speaker, turned on “Pony,” and then started grinding around on the interrogation table? I can’t be the only one who thinks that’d have made for a good scene.) (At any rate, we’re losing Channing Tatum here.)
Remaining options: Tom Hardy, Jude Law, Idris Elba, Armie Hammer, Edgar Ramírez, Luke Evans, Michael Fassbender, Keanu Reeves, Hiroyuki Sanada, Jason Clarke, Gal Gadot, Michael B. Jordan, Chadwick Boseman, Oscar Isaac, Ryan Gosling, Alexander Skarsgard
Prerequisite 3: New Batman cannot be played by someone who has had a semi-to-big role in a Marvel movie, or who plays a superhero in an existing DC franchise.
This rule is obvious, but also it’s very sucky because it means we’re losing Idris Elba, Gal Gadot, Michael B. Jordan, and Chadwick Boseman, all of whom are incredible. Three things here:
I knew Chadwick Boseman was going to be a star after that scene in Draft Daywhere he gets drafted and just sits there in perfect shock as everyone around him explodes.
It’s always funny to me to imagine Boseman, who played Jackie Robinson in 42, James Brown in Get on Up, and Thurgood Marshall in Marshall, repeatedly turning down the lead role in Black Panther until one of his agents convinces him that T’Challa is a real person and Black Panther is actually a biopic. “Really?” asks Boseman. Everyone else at the table looks at each other, then at him, then after a second they all start nodding their heads sheepishly and saying yes. “Then I’m in,” says Boseman.
If this rule were not in place, then Idris Elba would 100 percent be the odds-on favorite. He’s the exact right age (he and Affleck are both 45), he’s the exact right build (there’s no villain you could line up across from Idris and feel like Idris didn’t have a chance in that fight), he’s the exact right level of attractive (this is important), he’s the exact right level of suave (we need for him to be able to wear a business suit in a devastatingly stylish manner without it feeling even the tiniest bit unnatural), he’s the exact right kind of cool (grumbly cool, if that’s even a thing), and he’s the exact right level of famous (famous enough that people would be very excited about him playing the role, but not so famous that he’d overshadow it; incidentally, this is why Leonardo DiCaprio wasn’t even considered in the initial list of 20).
Remaining options: Tom Hardy, Jude Law, Armie Hammer, Edgar Ramírez, Luke Evans, Michael Fassbender, Keanu Reeves, Hiroyuki Sanada, Jason Clark, Oscar Isaac, Ryan Gosling, Alexander Skarsgard
Photo by Jesse Grant/Getty Images for Los Cabos International Film Festival
Prerequisite 4: New Batman cannot ever have been mean to Nicole Kidman in a movie or TV show.
Nicole Kidman is just great; positively great. And she should be treated as such, in real life and also, for the purposes of this particular article, in movies and television shows. That means we’re losing the devil Alexander Skarsgard (who regularly beat and manipulated her in HBO’s Big Little Lies) and Jude Law (who was a big-time drag in Genius). Both of these appear to be critical losses (Skarsgard is tall and muscular and intimidating and Jude Law is incredibly handsome, which always counts for something). But, when you really look at it, neither of them ever really had a chance (Jude just isn’t imposing enough to get the job done, and Skarsgard has too much mysterious evil in his face to ever convincingly play a hero, which is why The Legend of Tarzan tanked). (Skarsgard truly is terrifying. The whole time I watched Tarzan I kept waiting for the scene where his Tarzan was going to snap and just start murdering people and animals.)
Remaining options: Tom Hardy, Armie Hammer, Edgar Ramírez, Luke Evans, Michael Fassbender, Keanu Reeves, Hiroyuki Sanada, Jason Clarke, Oscar Isaac, Ryan Gosling
Prerequisite 5: New Batman … BUCKLE UP TIGHT, EVERYONE … cannot be white.
Can you even imagine?
CAN. YOU. EVEN. IMAGINE?
Oh, man. Think about the Breitbart headlines. (“The Dark Knight Goes Literal … And I Am Literally Disgusted.”)
Oh, man. Think about the Trump tweets. (“The assault on White America has made its way to Gotham City. Sad! I visited Gotham City many times and cannot believe this!” and then 10 minutes later: “I did not know that Gotham City was not an actual city.”)
If the response to America electing Obama as its president was to elect Trump as its next president, just think about what the response would be to turning Batman into a black guy or an Asian guy or Latino. We’d probably get a tentpole movie franchise for some new very racist superhero (Supremacy Man or some shit like that) and his superpowers would be he could use his laser eyes to teleport immigrants out of America and his super strength to simply and literally throw immigrants out of America. “Back to Mexico for you,” he’d say as he tossed a little Mexican girl over the border wall.
We’re losing Tom Hardy (he’s too short to be Batman), Armie Hammer (he’s too pristine to be Batman), Luke Evans (if he was 40 percent more famous he’d make for a great Batman), Keanu Reeves (the dark-horse pick — or, perhaps more appropriately given this category, the white-horse pick), Jason Clarke (he never really had a chance), Ryan Gosling (this one would only either go exceptionally well or exceptionally poorly), and Michael Fassbender (he actually would be a pretty perfect Batman — he’s handsome, smart, physically capable, and juuuuust enigmatic enough to pull off the I Have a Secret Identity thing — but he falls victim to our discriminatory practices).
Remaining options: Edgar Ramírez, Oscar Isaac, Hiroyuki Sanada
Prerequisite 6: New Batman cannot have ever been beaten up by Usher.
Because if you can’t beat up Usher, how are you going to beat up Bane?
Remaining options: Oscar Isaac, Hiroyuki Sanada
Prerequisite 7: New Batman has to not only have a solid understanding that non-human things exist in the universe, but also a very clear comfort level with them.
The reason here being: The further along we get into these comic book movies, the wilder and stranger things seem to get. Before, it was just that Batman had to be able to defeat a wacky guy in a strange suit or whatever, but now, in 2017 and beyond, Movie Batman has to be able to beat all manner of organisms, including but not limited to extremely aggressive space aliens. And while both Oscar Isaac and Hiroyuki Sanada have been in movies with extremely aggressive aliens, Isaac was able to fight them (Star Wars: The Force Awakens), while Sanada was not only killed by an alien, but also partly responsible for that (deadly, deadly) alien making its way to an unsuspecting earth (Life). So we’re losing Sanada here. Which means: Oscar Isaac is your New Batman.
Hudson’s representative told People that Hudson requested and received a protective order against Otunga. That paperwork was filed Thursday in Cook County court. A court date has been set for Dec. 7.
Attempts to reach attorneys for Hudson and Otunga were unsuccessful. Otunga’s attorney issued a statement to People: “Mr. Otunga has never abused or harassed Ms. Hudson or their son, and it is unfortunate, especially in today’s climate, that she would feel the need to make these false allegations against him. Mr. Otunga looks forward to his day in court and in being awarded the residential care of the parties’ only child.”
Otunga, 37, and Hudson, 36, got engaged in September 2008 after dating for less than a year. They welcomed their son David Otunga Jr. in August 2009.
Hudson’s fiance was a mainstay in the courtroom during the trial of William Balfour, who was convicted in 2012 of killing Hudson’s mother, brother and nephew on the South Side in 2008.
Hudson rose to fame after competing on Season 3 of “American Idol.” She won an Academy Award in 2007 for her supporting role in “Dreamgirls.” She is one of four celebrities coaching singers this season on “The Voice.”
Tim McGraw and Faith Hill: Side by side in life, music and gun control
Tim McGraw pulled Faith Hill into a quick hug and kissed her forehead as an audience of their peers and country music fans applauded their performance of their new single “The Rest of Our Life” at the 51st CMA Awards. Wearing a romantic red gown and with her hair in loose waves, Hill leaned into her husband and waved before the couple took a bow.
By noon the next day, McGraw had traded his black cowboy hat for a ballcap and Hill swapped her dress for a sweater and a pair of jeans, her hair pulled back under a well-worn hat, and the couple were excited and relieved their performance was such a hit.
“We were nervous,” McGraw admitted, explaining the title track from the couple’s new album is hard to sing and the awards show was the first time they had performed it live. “I was nervous when it started, and then Faith came out and we locked on to each other and we were in our own little world at that point.
“We were talking about it last night…what is it about these shows that makes you so unlike yourself?” Hill said. “We did the same thing yesterday morning, our routine. Then you’re driving to the CMAs and you feel yourself change."
“It’s like you lose control of your body,” McGraw adds.
Tim McGraw and Faith hill give an interview at The Daisy Hill Barn Party in Franklin Tenn. Oct. 13, 1996. They were married on Oct. 6th. Freeman Ramsey / The Tennessean
The CMA moment was more than one month in the making — and the song’s namesake album, “The Rest of Our Life,” took years. Available now, “The Rest of Our Life” is an 11-song duets album the two have dreamed of since their daughters were young. The album’s accompanying "Soul2Soul" world tour sold out 80 shows in 2017 and more are booked in 2018. The tour marks the first time McGraw and Hill have toured together in a decade. Hill deliberately stopped touring to raise their three daughters. But now that their daughters are older, the timing felt right for the couple to move forward with their careers, side by side.
“We both turned 50 in the year of the tour so we thought that was a great time to do it because when will we get to do it again after turning 50?” McGraw said with a laugh, Hill seated beside him in a Music Row studio, looking at him in mild disbelief. “We may never get the opportunity to do it again. We may not be able to do it again."
“OK, stop,” she jumped in. “Are you serious? Look at you,” she said, referring to his highly toned frame.
The business piece of the puzzle fell into place when McGraw and Hill signed with Sony Music Nashville. Their new record deals mark the first time in their careers they are on the same label, which McGraw said significantly simplified the process of making their duets album.
"What I have found of both of them is that as iconic as they are and as accomplished as they are, they're just great people," said Sony Music Nashville chairman and CEO Randy Goodman. "This has been a labor of love project, and it's great stuff."
The couple worked together to decide on the 11 songs — McGraw said there were supposed to be only 10 tracks but that the couple added an extra to “shake it all out.” They didn’t want a classic duets album, but hoped to create a timeless collection of songs that still sounded “cool and fresh and interesting.”
“We didn’t want to get gimmicky with it,” McGraw said. “We wanted to find great songs and…songs that were told from different perspectives."
“That’s kind of like a marriage is,” Hill added. “Life together is sometimes when your friend, your best friend, your husband or your wife is needing a little extra help and you help carry the weight. You just have to walk beside one another."
“And you fail at it sometimes,” McGraw said.
“That’s right,” she agreed. “You require more help. I require more help, and that’s just part of the walk through life together.”
McGraw’s favorite tracks on the album include the romantic, cinematic “Cowboy Lullaby,” the Lori McKenna and Barry Dean co-penned “Damn Good at Holding On,” and “The Bed We Made,” co-written by McKenna, Liz Rose and Hillary Lindsey.
When Hill heard her husband tick off the sexy song title, she snapped her head around and beamed at him.
McGraw kept talking, calling it “a unique way to talk about being passionate about each other.”
“She was scared of what I was going to say,” McGraw quipped.
“He just makes me smile,” Hill said, looking at her husband. “I don’t have a hole in my sweater, do I?”
Carrie Underwood and husband Mike Fisher on the red carpet at Music City Center before the start of the 51st annual CMA Awards Wednesday, Nov. 8, 2017 in Nashville, Tenn. George Walker IV / tennesssean.com
Charlie Cook, vice president of country formats for Cumulus Media, said it’s the couple’s open adoration for each other that continues to endear them to their peers and country music fans.
“I think that the fans see that they love each other, both in casual situations and when they are on stage performing,” Cook said. “ ‘Rest of Our Life’ tells their story and one that everyone aspires to in our personal lives.”
The couple are side by side in most things in life — literally and figuratively. McGraw said that even when they aren’t touring together they still manage to spend about 90 percent of their time with each other. And when it came to raising their daughters, Hill said they agreed she would “step away” from touring to be home with them. McGraw was — and still is — consistently charting hit songs, and Hill said it was the best financial decision for their family for him to be the one to keep touring. In addition, the couple tried to stagger their big projects so someone was always at home. Their goal, Hill said, was to give their girls “the most normal childhood possible.”
“When we were there with them at school events or wherever, we were their parents and truly known as Mr. and Mrs. McGraw,” she said. “It’s very important to us that they have their own identity. When we went back on the road to do this tour, it was kind of exciting because our girls, they were young when we did the last one, and they’ve never seen me in that way.”
It was that devotion as parents — and the increasing regularity of mass shootings — that recently led Hill and McGraw to publicly call for gun control. Country music fans are typically a conservative audience that places a premium on the Second Amendment. Artists in the genre are often hesitant to share opinions that might conflict with their fan base, but the singers view it as their duty as parents to start the conversation.
“What struck me so hard after the Vegas shooting — and this is the truth — it’s when the doctors and nurses came out and said they had never seen wounds of this magnitude because these are the kinds of wounds that you see on a battlefield in war,” Hill said. “That is wrong, period. Our military, our men and women have been fighting for this country and the democracy of this country for so long…and it’s not so we can have citizens walk this free country in this democracy and be afraid they’re going to be shot up by someone as if they were on the battlefield.”
McGraw has been a hunter since he was a child and said he loves the Second Amendment but that he is sure there are reasonable programs that could be instituted to work toward minimizing mass shootings.
“It starts with how we converse with our friends and neighbors and then how we elect people who are willing to talk instead of yell,” McGraw said. “It takes smart, thoughtful, pragmatic, common-sense approaches to things. It takes good ideas on both sides. And people have a right to express their opinions, but don’t yell your opinion at somebody and put your fingers in your ears. (We need to) get past this romantic idealism and get to a point that’s good for everybody and not just a segment.”
McGraw said he and Hill, together for 21 years, feel fortunate for their success at home and on stage. He said he “probably should have been kicked to the curb” many times, and he’s thankful he and Hill are back on stage and still enjoying life together.
“We don’t take that lightly,” he said, standing up at the end of the interview. “I think there’s an obligation to do your best every night when you go out there. You don’t always do that. You fail sometimes. But we appreciate what we have."